


“His was the soul of a peasant. Unsurprisingly, when Futurism sought to consecrate the machine, Malevich would have none of it.”

LEFT: Photos from The Non-Objective World (1927). TOP: Néret, Gilles (2003). Malevich. Trans. Chris Miller. Taschen GmbH, Hohenzollernring 53, D-50 672 Köln.
